Rym Beach Boys Do It Again
| xx/20 | ||||
|---|---|---|---|---|
 | ||||
| Studio anthology by the Beach Boys | ||||
| Released | February 10, 1969 (1969-02-10) | |||
| Recorded | September 19, 1966 – November 21, 1968 | |||
| Studio |
| |||
| Length | 29:46 | |||
| Label | Capitol | |||
| Producer | Brian Wilson, Carl Wilson, Bruce Johnston, Dennis Wilson, Alan Jardine | |||
| The Beach Boys chronology | ||||
| ||||
| Singles from twenty/20 | ||||
| ||||
twenty/20 is the 15th studio album by American rock band the Embankment Boys, released February 10, 1969 on Capitol Records. The LP was named for being their 20th overall release when factoring in live albums and compilations. Much of 20/20 consists of outtakes from earlier albums. It reached number 3 on Uk record charts and number 68 in the U.S. Brian Wilson was absent during most of the album'south recording after albeit himself into a psychiatric hospital, requiring brothers Carl and Dennis to think several outtakes he had recorded years before. While Brian does not appear on the front cover, the inner gatefold of the original vinyl release features him alone, behind an eye test chart.
The singles "Practice It Over again" and "Bluebirds over the Mountain" preceded the album'southward release past several months. The former was the band's showtime endeavour at revisiting the surf sound they had abased since All Summer Long, topping United kingdom and Australian charts, and the latter contained the B-side "Never Learn Not to Love", based on a vocal by Charles Manson. The other singles were "I Can Hear Music" and a rerecorded version of "Cotton Fields". In 2018, session highlights, outtakes, and alternating takes were released for the compilation I Can Hear Music: The 20/20 Sessions.
Background [edit]
On June 24, 1968, the Embankment Boys released the album Friends, which peaked at number 126 and remained on the Billboard Summit LPs chart for 10 weeks. It became the group's worst-selling anthology to date,[1] with record sales in the Usa estimated at 18,000 units.[2] To recuperate from the album'southward poor sales, the band apace released the standalone single "Practise It Once more". The song was a self-witting throwback to the group's early on surf songs, and the first fourth dimension they had embraced the subject matter since 1964. It reached the US meridian twenty and became their second number one hit in the UK.[iii] Biographer Chrisian Matijas-Mecca wrote that "while this may have been some of Brian'south strongest work of the menstruum, it did zilch to contrary the band'south decline in popularity."[4]
Brian Wilson said that past early 1968, the group had begun losing thousands of dollars "on stupid things ... cars, houses ... bad investments ... a heck of a lot of corporation money on Brother Records, our own company, and in boosting other artists who just didn't make it, and didn't accept a single hit."[5] 1 of these artists was Ron Wilson (no relation to Brian), who co-wrote "We're Together Once more" with him for the Beach Boys, just the group's recording was left unreleased. In turn, Brian produced an ultimately unsuccessful solo single for Ron, a cover of "As Tears Go By", which was released by Columbia Records in September.[vi] Another artist that the grouping worked with was ex-convict Charles Manson, who was then seeking a career as a singer-songwriter. Dennis Wilson befriended Manson and was interested in signing him to Blood brother Records.[7] Brian and Carl Wilson (non Dennis as is sometimes suggested) proceeded to co-produce several tracks for Manson at the Embankment Boys' private studio located in Brian'south home.[8] These recordings remain unheard past the public.[eight] [nb 1]
Over the summer of 1968, Brian attempted to record an arrangement of the 1927 show tune "Ol' Man River". According to music writer Brian Chidester, the session tapes "reveal Wilson conducting the Embankment Boys to such extreme perfectionism that both he and the band seem at the end of their rope with one another".[9] Friend and 3 Dog Night singer Danny Hutton recalled that Brian expressed suicidal wishes at the time, and that it was "when [Brian'due south] real decline started".[10] Afterward, Brian was admitted to a psychiatric hospital, possibly of his own volition.[11] Brian'due south bug were not disclosed to the public, and sessions continued in his absence.[11] Once discharged, Brian rarely finished whatsoever tracks for the band, leaving much of his subsequent Beach Boys output for Carl Wilson to complete.[9] Regarding Brian's participation on the group'due south recordings from then, band engineer Stephen Desper said that Brian remained "indirectly involved with production" through Carl.[12] Dennis said that Brian began to take "no interest at all", which forced the grouping to "find things that [he] worked on and try and piece it together."[13] [nb 2]
Recording and content [edit]
Older songs [edit]
According to biographer Keith Badman, the 20/xx sessions marked "the emergence of Carl and Dennis every bit producers and of Steve Desper as the group'southward engineer. Desper is at present part of the Embankment Boys' fold and remains a master engineer on their piece of work early on into the [1970s]."[sixteen]
The two oldest tracks on 20/20 were sourced from belatedly 1966 sessions for the band's unfinished anthology Smile. "Our Prayer" is a wordless hymn composed past Brian, while "Cabinessence" is a song written past Brian and Van Dyke Parks. Both tracks were given additional vocal overdubs past Carl and Dennis Wilson in November 1968 at Capitol Studios.[17] Co-ordinate to biographer Peter Ames Carlin, Brian was opposed to the inclusion of those tracks and refused the invitation to participate in the overdub sessions.[xviii] Desper commented that "Cabinessence" was "finished, more or less, with Brian's guidance through Carl."[12]
"Bluebirds over the Mountain" is a comprehend of the 1958 Ersel Hickey vocal, produced by Bruce Johnston in September 1967 at Western Studio[xix] and completed in October 1968 at Bong Sound.[20] "Time to Go Solitary" was written and produced by Brian for the grouping Redwood (afterward Three Dog Night) between sessions for the Embankment Boys' Wild Honey (1967). It was completed past the Embankment Boys in November 1968 at their studio.[xx]
May – July 1968 sessions [edit]
"Exercise It Again", a Brian Wilson and Mike Love collaboration, was the commencement track that was worked on later concluding the sessions for Friends.[20] It was recorded in May and June 1968, released as a unmarried two weeks later, and ultimately chosen as the opening rails for 20/20. Brian later called it the finest song that he wrote on the album.[1] The anthology mix differs slightly in that it briefly segues into another Smile outtake, "Workshop", which consists of structure noises and sounds from carpentry tools.[21] "I Went to Sleep" is a waltz written by Brian and Carl with a gentle mood and observational lyrics similar to other Brian songs of the flow.[21] "The Nearest Faraway Place" is an instrumental produced by Bruce Johnston with the string system by Van McCoy. The title came from a Life magazine commodity written by Shana Alexander.[22]
Leftover tracks from these initial sessions included "All I Wanna Do", "Well You Know I Knew", "Been Fashion Too Long" (also known as "Tin't Expect As well Long"), "Walk On By", "We're Together Once more", "Sail Plane Song" (also known equally "Loop de Loop"), "Ol' Homo River", "Walkin'", and a demo of "Mona Kona".[20] "Been Way Also Long" is an unfinished song started past Brian in 1967. "Walk On Past" is a encompass of the 1963 Burt Bacharach/Hal David song, recorded at Brian'south studio on the same day equally the beginning "Do It Once more" session.[xx] "Ol' Man River" was intended to be in medley with the standard "Old Folks at Abode".[23] "Walkin'" is a song written and sung by Brian that was worked on for two days in June 1968.[20] Ring archivist Mark Linett said "he gets so disgusted singing it that you hear him throw down his headphones and that'south the last fourth dimension anybody ever heard of it."[24] Besides recorded, according to band managing director Nick Grillo, was "a hundred hours of [Manson'southward] music at [Brian'south home] studio".[22]
September – Nov 1968 sessions [edit]
For the majority of July and Baronial, the Beach Boys toured the US and appeared on a few tv set talk shows.[20] Most of the subsequent new material was tracked at Capitol Studios.[21] Carl produced a rendition of the Ronettes' 1966 song "I Can Hear Music" for the grouping, and it was the beginning time he was given a sole production credit. Brian said that he also contributed to the recording, explaining "I wanted the instrumental runway ... to be smoothen and subliminal. I used audio-visual guitars. Carl wailed on the pb."[one] Biographer David Leaf called it "the turning signal in the transition of musical control in the Embankment Boys from Brian to Carl".[1] Brian likewise produced a version of Huddie Ledbetter's "Cotton wool Fields" that he later on called "one of the best [records] we've always made". The idea was suggested by bandmate Al Jardine, who idea they might be able to replicate the success of "Sloop John B" (1966).[1]
"Never Larn Not to Love" was originally written by Charles Manson under the title "Cease to Exist". According to Carlin, Manson penned "Cease to Be" specifically for the Beach Boys to record,[25] and biographer Steven Gaines said that Manson "reportedly" wrote the vocal to aid ease tensions within the group.[26] Dennis produced the Beach Boys' version in September 1968, reworking the vocal'due south bluesy construction and altering its lyric (the opening lyric "Cease to exist" modified to "Cease to resist"). The title was also changed to "Never Learn Non to Love", much to Manson'southward indignation.[25]
Dennis wrote and produced two more than songs that appear on the album. "Be with Me" was described by Foliage every bit "dark and eerie ... perfectly capturing his emotions of the era."[i] "All I Want to Do" is a rocker that features the sounds of Dennis having sexual intercourse with a groupie.[18] Likewise recorded was Dennis' "A Time to Live in Dreams" (released on 2001'southward Hawthorne, CA)[27] and "Mona Kana" (released on 2013's Made in California).[ commendation needed ]
Packaging [edit]
The cover photo includes every member of the grouping except Brian, which Matijas-Mecca referred to as "a sign that the group was determined to forge their own identity without their founding architect."[28] A photograph of Brian hiding behind an eye examination chart does appear on the gatefold cover.[xvi]
Release and reception [edit]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [29] |
| Blender (Friends/20/twenty reissue) | [30] |
| Encyclopedia of Pop Music | [31] |
| MusicHound | 3/v[32] |
| The Rolling Stone Album Guide | [33] |
| Sputnikmusic |  [34] |
Lead single "Bluebirds over the Mount" (backed with "Never Learn Not to Love") was issued on November 29, 1968 in the U.k. (number 33) and three days later on in the U.Southward. (number 61), becoming the group's everyman-charting single since their 1961 debut "Surfin'".[35] Afterward touring the UK in December, the Beach Boys returned to the studio to work on the album that would become Sunflower (1970).[16]
Released on February ten, 1969, 20/20 sold better than Friends, peaking at number iii in the UK and reaching number 68 in the U.s..[one] Rolling Stone reviewer Arthur Schmidt said the album was "adept, [but] flawed mainly by a lack of management (a sense of direction beingness last evident in Wild Honey), more a collection than a whole."[36] An uncredited author from Hit Parader opined that it was the band'south best album since Pet Sounds and an improvement over the "baffling" Friends and Wild Honey.[37] A reviewer for the clandestine newspaper Rat Subterranean News commented that fifty-fifty though it was "against all my carefully established principles to like The Embankment Boys," he enjoyed the LP, yet described virtually of side one as "weak".[38]
In Baronial, Charles Manson and his cult of followers committed the Tate–LaBianca murders, and three months later, were apprehended past constabulary. Their former connections with Dennis and the Beach Boys became the subject of media attention. Manson was later convicted for several counts of murder and conspiracy to murder.[39] During the trial, Manson released his debut anthology, Prevarication: The Love and Terror Cult, which included his original arrangement of "Cease to Exist".[forty]
[xx/20 was] the simply letdown of the Beach Boys' career that embarrassed me through and through ... it was the starting time album the grouping made that was completely disjointed.
—Dennis Wilson, 1976[15]
Amid retrospective assessments of 20/xx, critic Richie Unterberger wrote that it was "i of their better mail-Pet Sounds records ... The highlights, however, were a couple of Grinning-session-era tunes ... as hard as they were trying to institute their identity as an integrated ring in the late '60s, their new recordings were overshadowed by the $.25 and pieces of Smile that emerged at the time."[29] Biographer David Leaf chosen it "i of the most artistically interesting releases of their career and certainly one of the stronger later LPs."[ane] Peter Ames Carlin wrote that "whatever the anthology lacked in thematic coherence, it made up in the quality of the pieces contributed past each ring member."[xviii] Brooklyn Vegan 'due south Andrew Sacher said that the starting time side is "uneven and often disappointing", yet side two is "almost flawless".[41]
Track listing [edit]
Producer credits are every bit noted on the original vinyl disc. Charles Manson'southward contributions to "Never Learn Not to Love" remain uncredited.[10]
Original vinyl [edit]
| No. | Championship | Writer(s) | Lead vocal(s) | Length |
|---|---|---|---|---|
| i. | "Do It Again" (produced past B. Wilson and C. Wilson) | Brian Wilson, Mike Love | Mike Honey, Brian Wilson | two:25 |
| 2. | "I Can Hear Music" (produced past C. Wilson) | Jeff Barry, Ellie Greenwich, Phil Spector | Carl Wilson | 2:36 |
| 3. | "Bluebirds over the Mountain" (produced by Johnston and C. Wilson) | Ersel Hickey | Love, C. Wilson, Bruce Johnston | 2:51 |
| four. | "Be With Me" (produced past D. Wilson) | Dennis Wilson | Dennis Wilson | three:08 |
| 5. | "All I Desire to Do" (produced by D. Wilson) | D. Wilson, Stephen Kalinich | Dear | ii:02 |
| half dozen. | "The Nearest Faraway Place" (produced by Johnston) | Bruce Johnston | instrumental | ii:39 |
| No. | Championship | Writer(s) | Pb vocal(s) | Length |
|---|---|---|---|---|
| 1. | "Cotton fiber Fields" (produced by B. Wilson and Jardine) | Huddie Ledbetter | Al Jardine | 2:21 |
| ii. | "I Went to Sleep" (produced by B. Wilson) | B. Wilson, Carl Wilson | B. Wilson, C. Wilson | i:36 |
| iii. | "Fourth dimension to Get Lonely" (produced by C. Wilson) | B. Wilson | C. Wilson, B. Wilson, Jardine | ii:xl |
| iv. | "Never Learn Not to Beloved" (produced by D. Wilson and C. Wilson) | D. Wilson | D. Wilson | ii:31 |
| 5. | "Our Prayer" (produced past B. Wilson) | B. Wilson | group | one:07 |
| half-dozen. | "Cabinessence" (produced by B. Wilson) | B. Wilson, Van Dyke Parks | C. Wilson, Love | 3:34 |
| Total length: | 29:46 | |||
1990/2001 CD bonus tracks [edit]
| No. | Championship | Writer(s) | Atomic number 82 vocal(s) | Length |
|---|---|---|---|---|
| 13. | "Intermission Away" | B. Wilson, Murry Wilson | C. Wilson, Jardine with B. Wilson | ii:57 |
| 14. | "Celebrate the News" | D. Wilson, Gregg Jakobson | D. Wilson | 3:05 |
| 15. | "We're Together Again" | Ron Wilson | B. Wilson | 1:49 |
| 16. | "Walk On Past" | Burt Bacharach, Hal David | B. Wilson with D. Wilson | 0:55 |
| 17. | "Old Folks at Domicile/Ol' Man River" | Stephen Foster, Jerome Kern, Oscar Hammerstein II | B. Wilson with Dearest | 2:52 |
I Can Hear Music [edit]
| I Can Hear Music: The 20/20 Sessions | ||||
|---|---|---|---|---|
 | ||||
| Compilation album past the Embankment Boys | ||||
| Released | Dec 7, 2018 (2018-12-07) | |||
| Recorded | 1968 | |||
| Label | Capitol | |||
| Producer |
| |||
| Compiler |
| |||
| The Embankment Boys chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | [42] |
| Rolling Stone | [43] |
On December 7, 2018, Capitol released I Tin Hear Music: The twenty/20 Sessions, a digital-only compilation. Included are session highlights, outtakes, and alternate versions of 20/twenty tracks, likewise as some unreleased material by Dennis Wilson.[44] It was released in conjunction with Wake the World: The Friends Sessions.[45] The compilations were not issued on physical media due to the record company'due south wish not to interfere with the release of The Beach Boys with the Regal Philharmonic Orchestra. In 2021, I Can Hear Music was followed with Feel Flows: The Sunflower and Surf's Upward Sessions.[46]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Do It Again" (alternate stereo mix) |
| 2:46 |
| two. | "Do Information technology Once again" (a cappella) |
| 2:30 |
| 3. | "I Tin can Hear Music" (demo) |
| ane:00 |
| 4. | "I Can Hear Music" (track and backing vocals) |
| 2:42 |
| 5. | "Bluebirds Over The Mountain" (alternate mix) | Ersel Hickey | 2:56 |
| half dozen. | "Be With Me" (demo) | Dennis Wilson | ii:45 |
| 7. | "Exist With Me" (2018 rails mix) | D. Wilson | 3:17 |
| eight. | "All I Desire To Do" (Dennis Wilson lead song have two) | D. Wilson | 2:13 |
| ix. | "The Nearest Faraway Identify" (alternate accept) | Bruce Johnston | two:13 |
| 10. | "Cotton Fields" (rails and bankroll vocals) | Lead Belly | 2:25 |
| 11. | "I Went To Slumber" (a cappella 2018 mix) |
| 1:35 |
| 12. | "Time To Get Lone" (a cappella) | B. Wilson | 3:36 |
| xiii. | "Never Larn Non To Love" (track and bankroll vocals) | D. Wilson | ii:25 |
| 14. | "Never Learn Not To Beloved" (a cappella) | D. Wilson | 2:23 |
| fifteen. | "Walk On Past" (2018 mix) |
| 1:55 |
| 16. | "Rendezvous" (Do Information technology Again early version) (2018 mix) |
| 2:36 |
| 17. | "We're Together Again" (a cappella) |
| 2:01 |
| 18. | "I Can Hear Music" (alternate atomic number 82 vocal) |
| two:11 |
| 19. | "All I Wanna Do" (early on version track) |
| 2:24 |
| xx. | "Sail Plane Song" (2018 mix) |
| 2:19 |
| 21. | "Old Man River" (a capella 2018 mix) |
| 1:eighteen |
| 22. | "Medley: Old Folks At Abode/Sometime Man River" (alternate version) |
| 2:57 |
| 23. | "Medley: Old Folks At Dwelling/Old Man River" (alternate version track) |
| 2:59 |
| 24. | "Walkin'" |
| two:48 |
| 25. | "Been Way Likewise Long" (sections) | B. Wilson | 7:56 |
| 26. | "Well You lot Know I Knew" | D. Wilson | ane:42 |
| 27. | "Dearest Affair" (demo) | D. Wilson | ii:00 |
| 28. | "Peaches" (demo) | D. Wilson | 2:26 |
| 29. | "The Gong" (session highlights) | D. Wilson | five:29 |
| 30. | "A Time To Live In Dreams" (2018 mix) |
| one:54 |
| 31. | "All I Want To Practise" (early version) | D. Wilson | 1:12 |
| 32. | "All I Want To Do" (Dennis Wilson pb vocal accept 1) | D. Wilson | ii:10 |
| 33. | "Bluebirds Over The Mountain" (bones rail) | Hickey | 1:48 |
| 34. | "Bluebirds Over The Mountain" (mono single mix) | Hickey | 2:51 |
| 35. | "Mona Kana" (demo) | D. Wilson | one:16 |
| 36. | "Mona Kana" (2018 mix) |
| 3:03 |
| 37. | "We're Together Again" (remake runway with backing vocals) |
| 1:58 |
| 38. | "Time To Become Alone" (remake track) | B. Wilson | 2:46 |
| 39. | "Oh Yeah" | unknown | 0:54 |
| 40. | "Is Information technology Truthful What They Say Almost Dixie?" (atomic number 82 vocals by Audree Wilson) |
| one:47 |
Personnel [edit]
Per Craig Slowinski.[47] This list does not include complete personnel credits for "Fourth dimension to Become Alone" and "Cabinessence".
The Embankment Boys
- Al Jardine – vocals, acoustic guitar, handclaps
- Bruce Johnston – vocals, organ, handclaps, piano, Fender Rhodes
- Mike Dearest – vocals, handclaps
- Brian Wilson – vocals, pianoforte, organ, Chamberlin, handclaps
- Carl Wilson – vocals, audio-visual guitar, electric guitar, bass, handclaps, congas, tambourine (uncertain credit)
- Dennis Wilson – vocals, drums, handclaps, pianoforte
Touring musicians
- Ed Carter – guitar, bass
- Daryl Dragon – marimba, vibraphone
- Mike Kowalski – bongos, sleigh bells, snare drum
Guests
- Marilyn Wilson – additional vocals on "Time to Get Alone"
- Diane Rovell – additional vocals on "Fourth dimension to Get Solitary"
Additional session musicians
- Chuck Berghofer – upright bass
- Hal Blaine – drums
- Samuel Boghossian – viola
- Jimmy Bond – upright bass
- David Burk – viola
- Roy Caton – trumpet
- Pete Christlieb – tenor saxophone
- Alf Clausen – French horn
- Jack Coan – cornet
- David Cohen – guitar
- Alan Estes – percussion
- Virgil Evans – trumpet
- Jim Gordon – drums, timbales
- John Guerin – drums, woodblock, tambourine, sleigh bells
- Igor Horoshevsky – cello
- Raymond Kelley – cello
- Larry Knechtel – bass
- Fred Koyan – trumpet
- Willie Maiden – baritone saxophone
- Leonard Malarsky – violin
- Dick McQuary – baritone saxophone
- Roger Neumann – piccolo, flute, fife, tenor saxophone
- John Lowe – bass saxophone
- Glenn Lutz – trumpet
- Don Peake – guitar, electric bass, percussion
- Bill Peterson – trumpet
- Mike Price – trumpet
- Don Randi – piano, organ
- Joe Randozzo – bass trombone
- Lyle Ritz – upright bass
- Frank De La Rosa – upright bass
- Ernie Pocket-sized – flute, bass saxophone
- Wally Snowfall – vibraphone
- Spiro Stamos – violin
- Darrel Terwillger – violin
- Al Vescovo – dobro
- John de Voogt – violin
Charts [edit]
| Nautical chart | Position |
|---|---|
| Dutch Anthology Chart[48] | xx |
| German Albums (Offizielle Top 100)[49] | 23 |
| UK Peak 40 Albums[1] | 3 |
| United states of america Billboard 200[i] | 68 |
Notes [edit]
- ^ Music historian Andrew Doe stated that the tapes exist, just that they accept "not a promise in hell" of existence released.[8]
- ^ Brian'due south former wife Marilyn recalled that Brian withdrew because of perceived resentment from the grouping: "information technology was like 'OK y'all assholes, you recollect you tin do as good as me or whatever – go alee – you practise it. Yous think it's then easy? Y'all do information technology.'"[14] Referencing the accusation that the Beach Boys refused to let Brian work, Dennis said "I would go to his house daily and beg, 'What can I do to assistance you?' I said, 'Forget recording, forget all of it.' It got to Brian's health."[fifteen]
References [edit]
- ^ a b c d east f g h i j Leaf, David (1990). Friends / 20/twenty (CD Liner). The Beach Boys. Capitol Records.
- ^ Stanley, Bob (n.d.). "The Beach Boys and Friends: Their Forgotten Jewel". BBC.co.uk . Retrieved June 15, 2018.
- ^ Badman, Keith (2004). The Beach Boys: The Definitive Diary of America'due south Greatest Band, on Stage and in the Studio . Backbeat Books. pp. 221–223. ISBN978-0-87930-818-6.
- ^ Matijas-Mecca, Christian (2017). The Words and Music of Brian Wilson. ABC-CLIO. p. 88. ISBN978-1-4408-3899-6.
- ^ Wilson, Brian (May 31, 1969). "Why we're in such a struggle for greenbacks". Disc & Music Repeat. p. 7.
- ^ Matijas-Mecca 2017, p. 87.
- ^ Love, Mike (2016). Adept Vibrations: My Life as a Beach Boy. Penguin Publishing Group. pp. 203, 208. ISBN978-0-698-40886-ix.
- ^ a b c Doe, Andrew Chiliad. "Unreleased Albums". Bellagio 10452. Endless Summertime Quarterly. Retrieved July xiii, 2014.
- ^ a b Chidester, Brian (Jan 30, 2014). "Brian Wilson's Secret Bedroom Tapes". LA Weekly. Archived from the original on March 2, 2014. Retrieved February one, 2014.
- ^ a b Carlin, Peter Ames (2006). Grab a Moving ridge: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson. Rodale. pp. 138–141. ISBN978-1-59486-320-2.
- ^ a b Carlin 2006, p. 141.
- ^ a b Brian Wilson – Songwriter – 1969–1982 – The Side by side Stage (Documentary).
- ^ Wilson, Dennis (November 1976). "WNEW-FM" (Interview: Audio). Interviewed by Pete Fornatale. New York City.
- ^ Was, Don (1995). Brian Wilson: I Just Wasn't Made for These Times (Documentary film).
- ^ a b Wilson, Dennis (Nov 1976). "WNEW-FM" (Interview: Audio). Interviewed by Pete Fornatale. New York City. ; Dennis Wilson – Pete Fornatale Interview 1976 on YouTube
- ^ a b c Badman 2004, p. 240.
- ^ Badman 2004, pp. 188, 387.
- ^ a b c Carlin 2006.
- ^ Doe, Andrew Chiliad. "GIGS67". Bellagio 10452. Endless Summer Quarterly. Archived from the original on 2018-09-04. Retrieved 2018-09-01 .
- ^ a b c d east f g Doe, Andrew Thousand. "Sessions 1968". Bellagio 10452. Endless Summertime Quarterly. Retrieved November 28, 2018.
- ^ a b c Matijas-Mecca 2017, p. 90.
- ^ a b Badman 2004, p. 222.
- ^ Carlin 2006, p. 143.
- ^ "Beach Boys Producers Alan Boyd, Dennis Wolfe, Mark Linett Hash out 'Made in California' (Q&A)". Rock Cellar Magazine. September 4, 2013. Archived from the original on September 30, 2013. Retrieved September 9, 2013.
- ^ a b Carlin 2006, p. 138.
- ^ Gaines, Steven (1986). Heroes and Villains: The True Story of The Beach Boys. New York: Da Capo Press. p. 213. ISBN0306806479.
- ^ Badman 2004, p. 230.
- ^ Matijas-Mecca 2017, p. 89.
- ^ a b Unterberger, Richie. "twenty/xx". Allmusic . Retrieved April 25, 2011.
- ^ Wolk, Doug. "20/20". Blender. Archived from the original on March x, 2005.
- ^ Larkin, Colin, ed. (2006). The Encyclopedia of Popular Music (4th ed.). London: Oxford University Press. p. 479. ISBN978-0-xix-531373-4.
- ^ Graff, Gary; Durchholz, Daniel, eds. (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. p. 84. ISBN1-57859-061-2.
- ^ Brackett, Nathan; with Hoard, Christian, eds. (2004). The New Rolling Stone Anthology Guide (4th ed.). New York, NY: Fireside/Simon & Schuster. p. 46. ISBN0-7432-0169-8.
- ^ Aaron W. (March 27, 2017). "The Beach Boys: 20/xx". Sputnikmusic . Retrieved 3 November 2018.
- ^ Badman 2004, pp. 232–233.
- ^ Schmidt, Arthur (April 19, 1969). "Records". Rolling Rock. San Francisco: Straight Arrow Publishers, Inc. Retrieved twenty April 2015.
- ^ "Albums from Creedence Clearwater Revival, Howlin' Wolf et al". Striking Parader. Baronial 1969.
- ^ Priore, Domenic (2005). Smile: The Story of Brian Wilson'southward Lost Masterpiece. London: Sanctuary. ISBN1860746276.
- ^ Gaines 1986, p. 219.
- ^ "Prevarication: The Honey and Terror Cult – Review". AllMusic . Retrieved January 7, 2017.
- ^ Sacher, Andrew (February 9, 2016). "Beach Boys Albums Ranked Worst to Best". Brooklyn Vegan.
- ^ Erlewine, Stephen Thomas (2019). "I Tin Hear Music: The 20/xx Sessions". AllMusic.
- ^ Hermes, Volition (January 18, 2019). "Review: Beach Boys Plumb Vaults for Mail service-'Pet Sounds' Gems". Rolling Stone.
- ^ "Happy New Music Friday! 'I Can Hear Music: The xx/xx Sessions' Is Out Now!". The Beach Boys. December 7, 2018. Archived from the original on December x, 2018. Retrieved December 9, 2018.
- ^ "Happy New Music Friday! 'Wake the World: The Friends Sessions' Is Out Now!". thebeachboys.com. December 7, 2018. Archived from the original on December x, 2018. Retrieved December nine, 2018.
- ^ Willman, Chris (August 31, 2021). "Beach Boys' Archivists on the 'Feel Flows' Boxed Set, and How the Grouping Was Peaking — Again — While the World Wasn't Looking". Variety . Retrieved August 31, 2021.
- ^ Slowinski, Craig (Spring 2019). Beard, David (ed.). "twenty/20: fifty Year Anniversary Special Edition". Endless Summertime Quarterly Magazine. Charlotte, North Carolina.
- ^ "THE BEACH BOYS - 20/xx". Dutchcharts.nl . Retrieved 10 January 2019.
- ^ "Offiziellecharts.de – Beach Boys – 20/xx" (in German). GfK Amusement Charts.
External links [edit]
- 20/xx at Discogs (list of releases)
sevillaprucestras.blogspot.com
Source: https://en.wikipedia.org/wiki/20/20_%28The_Beach_Boys_album%29
0 Response to "Rym Beach Boys Do It Again"
Publicar un comentario